The Prisoner: 21st Century, AMC Mini Series
The Prisoner: 21st Century
Review Part I
by June Williams
“I am not a number, I am a free man.” “I’ve resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own. I resign.”
-#6 The Prisoner-
Those words were spoken by the character known as number 6 in the original Prisoner television series in 1967. When I heard that AMC was going to bring us a new incarnation of The Prisoner I wondered what approach they would take. How would they bring the story of betrayal, secrets and alienation to the screen in a way that was relevant and convincing to today’s audience? Casting two of the finest actors around helped.
For those who are unfamiliar with the original series of The Prisoner, there are a few things I should tell you that might be of some help. First, all the inhabitants of the Village have numbers instead of names and none can conceive of life beyond the Village. Those Villagers who do suspect there is something wrong know better than to speak of it. The protagonist is convinced that not all the villagers are brought here as prisoners, some seem to be part of the organization that created and maintains the Village. In both the original series and the new mini series those who seek to escape are given a fairly long leash but even if they slip the bridle they are brought back by a large white translucent balloon known as Rover. Rover envelops the escapee and sort of smothers them although its apparent purpose is not to kill but capture. Rover was also used as a kind of intimidating herding device to either keep a prisoner/villager away from a certain area or push them into an area that those in control wished them to go. Constant surveillance helps those in charge keep track of what the population is doing and helps to foster crippling paranoia. Add to the mix a sprinkling of double agents. The thing about the double agents is that even they do not know who they are really working for and if they themselves are also prisoners. The Pièce de résistance is the use of mind control. Somehow the keepers are able to create new memories and cause Villagers to believe in a fictitious past and altered reality. This brainwashing is pretty successful but there are always tears in the fabric and number 6 knows how to fray the edges to reveal the truth.
While there are many fine actors who are in the new mini series, if the series has a chance at connecting to its audience it will do so in my opinion because of Ian McKellan (think Gandolph in Lord of the Rings and Magneto in X-Men) and Jim Caviezel (Jesus in Passion of the Christ, Edmond Dante in the Count of Monte Christo)
Ian McKellan plays a chillingly convincing number Two, the titular head of the Village. McKellan makes number 2 seem like he himself is hanging onto this projection of reality by the sheerest of threads. Unlike the original series this number 2 apparently has a family. He displays affection for them and we wonder if they too are a piece of fiction.
Jim Caviezel puts in a remarkably good performance as a man who resigned not from M5 as was the case in the original series but from a powerful corporation known as Summakor. Michael who is now known as number 6 observed unaccountable changes to people he was supposed to be watching on security videos and when his inquiries were stonewalled he resigned. Caviezel’s number 6 is so far removed from the original as to be almost unrecognizable. He wishes to escape from this gilded prison as did the original but that is where the similarities seem to end. This number 6 does have memories impinging on him when he sleeps but he lacks the bedrock certainty of Patrick McGoohan’s 6. His number 6 seems weak and ready to cave into the lure of what the Village offers its inhabitants and freedom is not one of the perks. Not having been a secret agent operative or spy he is far more helpless than I would hope even I would be under similar circumstances. Of course I would have had the advantage of seeing those 17 original episodes where he obviously did not even see The Matrix.
The rest of the mini series airs on November 16th and 17th 2009. Even though this will interfere with viewing House, The Big Bang Theory, Lie to Me and V, I will watch it. I’m still unsure if I like this show or not. Perhaps my biggest handicap is a forced comparison with the original Prisoner series starring Patrick McGoohan. Although, but a change in the paradigm of Star Trek didn’t prevent me from thoroughly enjoying the new Trek movie that came out in 2009. Imagine me being able to enjoy Zachary Quinto as Spock when for me the definitive Spock was Leonard Nimoy. And Chris Pine made Captain Kirk live once more. So I will withhold final judgment. After all it is unfair to give my verdict on how this stacks up against the original until I’ve seen where they are going to end up.
The Prisoner, AMC miniseries
Part 2
There are times when storytelling simply goes careening off the rails. I hate to say this when it is apparent that so much talent, time and money was invested in this miniseries but this is one of those times
The look and feel of The Prisoner miniseries simply shouts dream logic. That is why when “holes” started to appear, “holes” to oblivion, it became even clearer that this version of The Prisoner was dealing with states of consciousness rather than a physical Prison from which one might escape. There is no escape from your own mind except madness and some would say not even then. Certainly there was no escape from the Village for this number 6. How could there be when it was the refuge he had helped to create and populate. A safe haven for the broken of this world which he sees as fatally flawed. Of course I would say that defects will exist anywhere you have humans so why not accept and welcome your humanity? Live and love as best as you are able. Perfection belongs only to God. At the end Michael aka number 6 seems convinced he can make a better world. He has accepted the position as the head of the Village and those holes to nothingness have closed.
Remember when Dorothy wakes at the end of the Wizard of Oz only to find that so many of the people she knew in Kansas have also been over the rainbow? What about the strange atmosphere of Twin Peaks? Or flashback to the shower scene in Dallas when the television viewers were appalled to find that not only was Bobbie Ewing alive and taking a shower but that an entire season of Dallas was nothing more than a dream in the mind of Pam Ewing. For surrealistic storylines my favorite was the series finale of the series Newhart. The entire Newhart series (as well as the existence of the series central character, Dick Loudon’) is revealed to have been nothing more than a dream in the mind of Bob Newhart’s 1970s character, Dr. Bob Hartley. Now that’s chutzpa but it worked.
One great failure of AMC’s Prisoner miniseries was not having characters that the audience could connect with. Every successful story has one or more characters that the audience cares about and who seem to grow. Did I even learn anything of substance about the characters that would cause me to feel empathy for the situation they were in? No, not really. The creators of the miniseries gave no reason as far as I could tell as to why a mega corporation created and sustained the Village. The pacing was dreadful. I nearly dozed off during the second part and that means it didn’t even manage to annoy me enough to want to see it to its highly predictable ending.
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Richie Silverglitz
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Lomax
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Bobbie
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June K Williams
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June K Williams
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Lomax
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Juliet
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Andrew Gordon


