Alice on SyFy..A Review
Alice on SyFy
A Review
By June K. Williams
Whether your first Alice was a Disney movie or the original book by Reverend Charles Dodgson aka Lewis Carroll, there is a good chance you were enchanted by the tales as a child. There seems to have been nearly as many retellings of her adventures in Wonderland as those of Romeo and Juliet. The challenge is to make the story relevant and accessible to the audience be it for people of the early 21st century or colonists circling a distant star a thousand years from now. Certain elements must be constant. A journey from the mundane world by a girl with a young impressionable mind to a place populated with strange people and creatures whose actions and motives are a mystery. Whatever interior logic exists in this place is inaccessible to Alice. She is trying to solve a puzzle with missing pieces and the puzzle keeps rearranging itself as she tries to fit them together. She, like Dorothy in the Wizard of Oz, is looking to return home.
I am happy to say the SyFy channel’s take is better than I expected. In fact it is so good that I hope Tim Burton’s Alice which is supposed to premier March ’10 will be nearly as good. This SyFy version may not be quite as dark as what Tim Burton has planned but the sets are realistically unreal. In this production we have a city that is vertical with sidewalks more like catwalks hugging the sides of buildings and buses that act like elevators transporting you between levels. There is a casino built of playing cards. All about the city vines seem to follow their way into interiors from outside without any real boundaries. This is a highly political Wonderland, complete with tyrannical rule, a resistance that has been barely hanging on, and others who simply want to survive. The method of keeping the populace under control is a very advanced form of bread and circuses. It is managed by draining people from “our” world and using the distillation of their emotions as a kind of currency in Wonderland. The goal is to give people instant gratification and in doing so can rob them of the will to act for themselves.
The players (other than Alice and her mother) are all a bit or more than a bit off center. It has plenty of eerie moments but it is lucid enough to allow for exciting action and the pace never flags from the time we first see Alice in action in our world.
Alice is played by 28 year old Canadian actress Caterina Scorsone. I’ve never seen her perform before although she has been acting since she was 8 years old. My instincts tell me she is about to be “discovered” after many long years of work.
This Alice arrives in wonderland 150 years after her namesake and things have changed. How she got there was different than the original. After all she is a young woman not a little girl. We first see her in action as a martial arts instructor. There is little doubt that she is a strong and independent young woman. But she is also haunted by her father’s disappearance when she was just 10 years old. It has made her leery of getting too involved with a man. She does bring a guy she cares about home to meet her mother. Then she rejects him when he tries to move the relationship too far too fast. In short order she is in pursuit of the boyfriend she had just rejected as he is mugged and kidnapped by persons unknown to her. Then it is through the Looking Glass for Alice. She quickly discerns Wonderland is dangerous and the rules by which it operates are twisted and arbitrary. As moments from her past illuminate the situation she now finds herself in, the audience is pulled along down deeper and we are going to find out how deep the rabbit hole goes.
Andrew Lee Potts takes on the role of the Hatter with apparent ease and style. The Hatter is an interesting mixture of apparent con artist and warm hearted freedom fighter. Not everyone is meant to man the battlements in war. Some must supply the troops with food and medicine. The Hatter is a wiseguy and a survivor but he is not heartless and he is not a coward either.
Kathy Bates makes a believable Queen of Hearts. She telegraphs the maniacal control freak personality so well that you hardly need dialogue to understand where the character is coming from. It is very easy to think of the Queen as able to order a beheading without giving it a second thought and that her minions will unquestioningly do her bidding. She is as intelligent as she is ruthless and of all the dangers in Wonderland she is the most fearsome.
Tim Curry as DoDo, the resistance leader is convincing, but perhaps it is my expectation of him outshining every actor around him that left me slightly disappointed. See what happens when you are consistently the best? People like me start to quibble with a good performance because we feel you must always put in a great performance.
All in all the cast is better than one would expect to run across in a SyFy channel mini series. If you haven’t seen it yet then by all means do so. One thing about Skiffy (as many people have nicknamed the network) is that they repeat a mini series very frequently in the week it premiers and then occasionally for the next year so you still have the chance to see it.
By June K. Williams
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Lomax
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June K. Williams
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Demelza Cooper
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Irving Belfi
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TFerris
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http://www.tv-video.us/ alice in wonderland white

